I am about to confess to a Federal crime, just so I can link to an article on a goofy research project. Yep, we lay it on the line here at Atomic Deathray, folks.
But first, some long-winded background.
When I was a teenager I made the happy discovery that George Washington bears an uncanny likeness to Groucho Marx, and I chose to use Washington’s portrait on the one-dollar bill as the medium through which I would alert the public to this fact. Every once in a while I would add eyebrows, glasses, a mustache and a cigar to The Father Of Our Country and send the bill on its merry way. Over the years I figure I did about a hundred “Groucho Dollars.”
On occasion someone would tell me that it was illegal to deface United States currency. This is not entirely true, though. It is illegal to deface United States currency, but only with intent to remove it from circulation. (Drawing on money is a fine American tradition, by the way.) Yes, I was defacing the bills, but I wanted them circulated as widely as possible. I hoped my “Groucho Dollars” were circling the globe, making people smile wherever they crossed a palm.
I continued doing this for several decades, until my gradual maturation into The Fine Civic-Minded Fellow Standing Before You put an end to the practice. (Translation: I became a cantankerous old bastard.) But that’s not the crime.
In 1982 or so, one of my bills caught the attention of a woman who was a major player in the Los Angeles mailart scene. Mailart was an art movement that used the US Postal Service as its canvas. People sent decorated envelopes and hand-drawn or rubber-stamped postcards and such through the mail, sometimes to each other, and sometimes to mailart shows held in various galleries around the world. Anyone could be a mailartist, and she suggested that I give it a try.
Other than the continual annoyance of having to explain to people what the hell mailart is, being a mailartist was a lot of fun. I specialized in strange little humorous postcard collages. (To this day my nickname is “Doctor X-Acto” because of the craft knife I favored.)
One show in Germany had an assigned theme of “Inspiration and Temptation in Modern Life.” I found an old engraving of a Russian eighteenth-century outdoor public bath which depicted dozens of carefully posed naked men and women lounging around on a bunch of rocks. I put a little thought bubble containing an exclamation mark above every head. I heard it got a lot of laughs at the show.
Up to this point, all of my forays into mailart had been ordinary rectangular postcards, with the artistic element being the artwork it contained. But one day I had an idea: what if the actual item being mailed was the point of the piece? I decided to mail a postcard that was completely non-rectangular, just to see if it would be delivered. I glued a photograph of a tropical fish onto card stock, and carefully cut it out, preserving every intricate little anatomical detail. I addressed it to another mailartist in San Diego and dropped it into a mailbox.
It arrived in two days. Success!
But where to go from there? I wanted to really test the limits of what could be sent through the mail. At first I thought of slapping some stamps and an address on a hard-boiled egg, but then I had a better idea. Something superbly transgressive.
Keep in mind that during this period of my life I considered myself first and foremost an artist-with-a-capital-A. To me, art was something almost sacred that could change society for the better. Snicker all you like; it was my governing philosophy. Now, of course, I know that art is really just a branch of show biz, sort of like writing but more corrupt.
So when I was told, mistakenly as it turned out, that artwork was exempt from the normal laws relating to defacement of currency, I believed it.
Okay, now we’re finally to the crime part.
I took a dollar bill, cut out the oval where Washington’s head is, replaced it with a computer-generated picture of a robotic ant clipped out of a magazine, wrote “In Bug We Trust” over and over in tiny letters all around the border, glued it to some cardboard, addressed the other side and then laminated the whole thing in plastic.
Which is pretty much the very definition of “mutilates, cuts, defaces, disfigures, or perforates, or unites or cements together, or does any other thing to any bank bill, draft, note, or other evidence of debt issued by any national banking association, or Federal Reserve bank, or the Federal Reserve System, with intent to render such bank bill, draft, note, or other evidence of debt unfit to be reissued.”
I didn’t know it, but I was now afoul of the Secret Service, who do the Treasury Department’s dirty work. I could have been fined up to $100 and/or been sent to jail for up to six months! Not only that, but I’d sent the evidence through the US Mail, which is obviously a government agency, without an envelope!
Luckily for me, nobody came knocking at my door in the middle of the night, but still it took five weeks for the flagrant felony to go from Los Angeles to San Diego. It had obviously attracted some official attention en route. I figure I dodged a bullet.
So you can imagine my surprise this evening when I read that a group of researchers have been doing the same sort of mail experiments I did all those years ago, including laminated money:
$1 bill. Sealed in clear plastic, with label attached with address and postage. Days to delivery, 6.
$20 bill. Days to delivery, 4.
Football. Days to delivery, 6. Male postal carrier was talkative and asked recipient about the scores of various current games. Carrier noted that mail must be wrapped.
Pair of new, expensive tennis shoes. Strapped together with duct tape. Days to delivery, 7. When shoes were picked up at station, laces were tied tightly together with difficult-to-remove knot. Clerk noted that mail must be wrapped.
Man, that takes me back. I wonder where I put my old X-Acto knife?